U2

June 21, 2010

Video editing isn’t something I am too comfortable with. There are issues to do with controlling or directing to an extent what the viewer sees that I am uncomfortable with.

Which seems a dichotomy when making a piece of art work?

One thing I have considered post the MA is taking a course in video making and editing and also looking for a collaborator to make some films with. Some to be on the other side of the camera, who could bring their own area of understanding and expertise to a project.

This aspect of visually controlling or directing a piece is for me less of an issue when doing a live cast work. I think it also demands a different kind of engagement from the viewer who becomes less passive through acting as a witness to a live event.

There is also the element of time and lived time that a live cast piece engages in.

There are 2 for me surprising realisations as the MA draws to a close:

  1. That I feel that my media is live art/video/photography (though in terms of recording/documenting a piece or in terms of creating a stand alone art work I’m not yet too sure)
  1. What I bring to my work and what is integral to it is the use of my own body.

Another issue that is beginning to come a little more in to focus at this point of the course is why it feels so difficult to create a ‘finished’ piece (especially since the zines are always part of a very clear production process).

It might be that I haven’t yet established a defined process I am comfortable with in order to create a finished work.

But it does instinctively feel more to do with holding up the wrong expectation in relation to the ensuing ‘product’ created through my practice.

It seems that given my work is founded on my body a ‘final piece’ would be just that and would be me tucked up in my coffin. (There are a lot of implications to think about and take forwards in that sentence.)

I hope to move forward from this MA and begin to review working practices and evaluate possible out comes in terms of recording and methodologies of creating work.

When I began the MA I expected to find a digital tool or methodology in order to ‘become’ a digital artist.

Through watching my peer’s project development e.g. May, Ina, Rod and many others I began to feel a discrepancy in our directions especially when I found using soft wear applications such as Dance Forms, Korsakow, and Adobe Premiere Elements so stifling.

What digital processes has given me is not so much a direct tool to house or deliver/create a work, but more of  means through which to question and examine something that was so familiar I couldn’t see it clearly.

There are so many exciting new pieces of interactive and digital works that are inspiring and raise engaging issues. I would very much like to try again with Isadora interactive softwear and also Korsakow, but really feel now need to go away and spend time working on my practice and further refining my understandings.

The next challenge will be establishing an ongoing practice outside of the MA, this is something I’m looking forward to. It wasn’t initially, but reviewing unit 2 has provided the realisation that there are more questions and ideas to pursue and that the MA has established a mode of practice which should stand me in good stead for moving forward.

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